Collage : : Aki Kaurismaki"Aki Kaurismäki is Finland’s most famous director, and together with his older brother Mika, he once accounted for a third of the country’s film output. His films are characterized by laconic humour, detached irony and smoking – he could be considered the Nordic cousin of Jim Jarmusch." [2] "Aki Kaurismäki was born on 4 April 1. Orimattila in southcentral Finland, the third of four children. The Kaurismäkis lived in Orimattila at the time because of Kaurismäki’s father’s career, which caused the family to move frequently. Jorma Kaurismäki (1. Finland. His mother Leena trained as a cosmetologist. In Orimattila, Jorma Kaurismäki worked in the financial offices of the textile company Villayhtymä. Later, the family relocated to Lahti, where Aki Kaurismäki began school. They then lived in Toijala and Kuusankoski, after which they moved several hundred kilometres northwest to Kankaanpää. Kaurismäki completed secondary school there in 1. The family also travelled outside Finland a good deal, which was exceptional for Finnish families during the 1. On one summer trip they drove through the USSR from Leningrad to Odessa. On another they drove from Finland to Spain. Kaurismäki left his compulsory military service in Finland’s army incomplete, and applied to Finland’s film school in 1. Want to watch this again later? Sign in to add this video to a playlist. Film Excerpts from 'The Man Without a Past'. Autoplay When autoplay is enabled, a suggested video will automatically play next. The second part of Aki Kaurismäki's 'Finland' trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or. See full summary. The school denied him admission. Admissions committee member Professsor Juha Rosma says: "I got the impression that Aki had a good imagination, but that he was an introverted personality. He managed as a writer, but fared more poorly with cinema’s visual elements and in working with actors." Kaurismäki explains the rejection differently. I was so cynical and arrogant, and emotionally immature that they didn’t want me there. It’s of course true. The worst thing is to realise it yourself." Kaurismäki studied journalism for several years at the University of Tampere, but did not complete the degree. A second and more important element in Kaurismäki’s entry into professional filmmaking was his brother Mika. Between 1. 97. 8 and 1. Mika studied filmmaking at Munich’s University of Film and Television. Aki visited Mika in Munich, acquainting himself with cultural and cinematic life there. Mika’s studies in Munich also introduced him to figures of the New German Cinema, such as Wim Wenders, as well as rising names in German cinema, such as Toni Sulzman, who served as cinematographer for The Liar and later went on to work in Hollywood. Maestros del Cine Queremos rendirle un homenaje al Director, Guionista y Productor: AKI KAURISMAKI Algunos datos biográficos.These acquaintances helped develop a model for connecting with filmmakers abroad without the assistance of an official Finnish network. They also established a set of contacts who would be helpful in establishing the brothers commercially outside Finland later in their careers. Mika’s studies also provided Aki with an opportunity to pursue filmmaking. Mika’s final project required help. He invited his brother, Pauli Pentti, and others in the Kaurismäki crowd in Helsinki to make The Liar with him during the summer of 1. Mika returned to Helsinki to make the film, and shooting was completed in fifteen days during June that year. Aki co- wrote the screenplay with Pentti; Veikko Aaltonen is also credited in the Finnish Film Archives’ database, although critics at the time only mention Aki and Pentti as screenwriters. The film also included Matti Pellonpää and Markku Peltola, who would later play leading roles in Aki’s films. The film won the Risto Jarva Prize at Tampere’s short film festival in 1. Although the film sold only some five hundred tickets in its theatrical run, it made an impact on Finland’s intelligentsia. The Liar signalled the Kaurismäki brothers’ distinct style. They parlayed the prize money and prestige of their prize into financing for three further projects during 1. The Saimaa Gesture (1. Jackpot 2 (1. 98. The Worthless (1. Aki Kaurismäki made his directorial debut in 1. Dostoyevsky’s Crime and Punishment. Aki Kaurismaki (1957-) 'Aki Kaurismäki is Finland’s most famous director, and together with his older brother Mika, he once accounted for a third of the country’s film output. His films are characterized by laconic humour. Want to watch this again later? Sign in to add this video to a playlist. Comedia. Drama / Un hombre que ha perdido completamente la memoria debe reiniciar su vida en una zona marginal, junto a seres humanos. He followed up at a prolific pace, writing, directing, editing, and producing four more shorts and six more features by the end of the 1. His third feature, Varjoja paratiisissa (Shadows in Paradise, 1. Directors’ Fortnight at Cannes in the spring of 1. Toronto International Film Festival later in the year. Subsequent films were selected for prestigious festivals, and since 1. Kaurismäki’s features have screened at the Toronto, Berlin, or Cannes film festivals. Nominations and awards received for The Man Without a Past secured the director’s status as a leading figure in contemporary auteur cinema." [1]"Film critic Tytti Soila points out that the director "has painstakingly worked on creating a public persona in line with his cinematic universe." Crucial to Kaurismäki’s persona is the image of a reluctant interviewee, a would- be hermit. Despite the hundreds of interviews the director has given over the years, the popular perception is of him as a man who avoids publicity at all cost. The image of a reluctant celebrity combines with that of a hard- drinking, hard- smoking, bad- tempered enfant terrible. Kaurismäki is also well- known for his cinephilia, and his films include references to the work of many other film- makers. Kaurismäki was also instrumental in founding the formality- free Midnight Sun Film Festival in a small town north of the Arctic Circle in 1. In recent years, Kaurismäki’s public profile has increased and he has become further identified as a national figure. In addition to receiving numerous awards for his films, in 2. Academician of Cinema, a lifetime honorary title conferred by the president. Kaurismäki has also gained some notoriety with high profile political protests: for example, he declined to attend the New York Film Festival in 2. Iranian director Abbas Kiarostami being denied a visa by the United States. Kaurismäki also boycotted the 2. Oscar gala, even though The Man Without a Past had been nominated as Best Foreign Language Film, because of the United States’ foreign policy. For the same reason, Kaurismäki refused to submit Lights in the Dusk for consideration for the Academy Awards after it had been selected as the Finnish candidate." [3]The Auteur"The auteur categorisation fits Kaurismäki easily, as viewers, critics, and scholars have identified a consistency of style, theme, and vision across his body of work. He has exercised authorial control over all aspects of his film production from the beginning of his directorial career, and as the producer of his films, Kaurismäki has exercised total control over the films, including control of copyright. For example, he has used his control of his films’ rights to refuse distribution of them in the People’s Republic of China, protesting against China’s record on human rights. His auteurship has also meant that Kaurismäki himself makes all aesthetic and budget decisions about production. For many critics and scholars both in Finland and beyond her borders Kaurismäki is not only a European auteur, but also a Finnish one. Their interpretations find support in the films’ silent, plain anti- heroes and old- fashioned aesthetics, which critics contrast to the determined achievers, acrobatic camera movements, and glossy look of mainstream cinema produced in Europe and the US. Kaurismäki’s auteur identity is also the result of specific publications’ enthusiasm for his work. Kaurismäki’s films have received much attention on the pages of Cahiers du cinéma, Positif, Sight and Sound, Filmihullu, and other auteurist magazines. Critics at influential dailies, such as Die Zeit, Parisien, The New York Times, Dagens Nyheter, and Helsingin Sanomat have also favoured his films. Critics writing on these pages have often interpreted his films’ idiosyncrasies as an expression of exotic Finnishness. High visibility on the international festival circuit, prestigious nominations and awards, and broad theatrical distribution have consolidated Kaurismäki’s critical reputation as Finland’s greatest filmmaker and one of the bearer’s of the Scandinavian auteur legacy. Yet if Kaurismäki has become known as Finland’s greatest filmmaker, his greatness derives in part from the methods and critical agendas of his interpreters. Most critics and scholars have interpreted Kaurismäki’s films by way of close reading and biographical criticism, methods that have come down from Cahiers du cinéma’s ‘great man’ theory of auteurism. Kaurismäki makes evident in his films and in comments that he is a devotee of the French New Wave, and critics have repeatedly emphasised the intertextual connections of his films to those of Jean- Luc Godard, among others. Kaurismäki has encouraged this, suggesting that his intense viewing of films during his twenties was modelled after "Jean- Luc Godard during the early 1. I didn’t have a sports car." Kaurismäki’s "working- class" films combine a realist depiction of the everyday experiences of average Finns with cinephilic inspiration from the French New Wave as well as Robert Bresson, Mikko Niskanen, Yasujiro Ozu, Douglas Sirk, Teuvo Tulio, and other auteurs. The national interpretation of Kaurismäki has proved influential, as Finnish critics have disseminated it and the director himself has given it support through cryptic remarks about Finland in interviews. Commentators outside Finland have also noticed the lower- class characters and cinephilia, and while they give more emphasis to Kaurismäki’s cinephilia and nostalgia for the cinematic past, they have also often construed the films’ Finnish identity in an exoticising manner. Within this critical methodology, Kaurismäki is presented as a national auteur whose original engagement with the history of Western art cinema and culture transcends national identity, at the same time as the films powerfully express a specific ‘Finnish- ness’." [1]The Cinema of Aki Kaurismaki"Kaurismaki's films display a continuity of narrative, style, and mode. The Official Site of Mika Kaurismäki. KRISTINA in development. Mika Kaurismäki is currently developing a feature film project about the Swedish Queen Kristina, starring Swedish actress Malin Buska. Set in the 1. 7th century, the film paints a portrait of an extravagant and atypical queen, who was the ruler of her country from the age of seven until her startling abdication at 2. The film is scripted by Canadian award- winning screenwriter Michel Marc Bouchard and the cinematography will be by renowned Christopher Doyle (In the Mood for Love, Hero). The co- production by Sweden’s Anagram, Canada’s Triptych Media, Germany’s Starhaus Filmproduktion and Mika Kaurismäki’s Marianna Films is scheduled to commence principal photography in 2. Swedish locations. THE KING - JARI LITMANEN premiered. The King - Jari Litmanen, directed by Arto Koskinen and produced by Mika Kaurismäki, had its premiere on the September 2. Finland. The opening week was very strong with almost 1. Finland ever. The King - Jari Litmanen is a story of the most famous Finnish professional football (soccer) player and icon Jari Litmanen, often referred as the "king" or "artist”. The film is about what it takes to make it in football but it’s also a personal exploration revealing who Litmanen really is – the family man, the human being. We also delve into the sacrifices he's made in his private life and naturally, about how football has impacted his world. We travel to Lahti, Amsterdam, Barcelona, Liverpool and other footprints of his past and meet his former team- mates, coaches and friends, like Bergkamp, Van der Saar, De Boer, Overmars, Puyol, Xavi, Gerrard, Ibrahimavic, Van Gaal, and many other football legends. The film also covers the major turning points in his childhood, the top moments of his professional career, conflicts with coaches and inevitable injuries. We are also left to ponder just when and how Litmanen will finally end his long and distinguished career. The King - Jari Litmanen will have its international premiere in November at the International Documentary Festival of Amsterdam (IDFA), where the film will be screened in the Reflecting Images - Panorama program. ROAD NORTH1. 0. 1. Road North (Tie Pohjoiseen, 2. Mika Kaurismäki, had its premiere on August 2. Finland. It had a very strong opening week at the Finnish box office where it dominated the number one spot during August 2. Hollywood competition. Since its opening it has continued performing very well, in its sixth week in cinemas it achieved the 2. Finland. Road North is the most successful film by Mika Kaurismäki, or any Kaurismäki film, in Finland so far. Road North is a darkly comic and touching road movie about a prodigal father who returns to see his son 3. Set against the vast expanse of the Finnish landscape, Road North stars the country’s leading film and music icons, Vesa- Matti Loiri (Leo) and Samuli Edelmann (Timo) as the estranged father and son. Comically polar opposites, the two head north in a stolen car, journeying through quirky pit- stops and shocking revelations until Timo finally comes to understand and empathize with his father. Loiri, who brings the charismatic and eccentric Leo to life, is a multitalented actor who during the course of a career spanning 5. Starring in the role of Timo is Samuli Edelmann, one of Finland’s most popular actors and singers, best known to North American audiences for his role as henchman Wistrom in Mission Impossible – Ghost Protocol (2. Road North had its international premiere at the Toronto International Film Festival on September 8 in the Contemporary World Cinema program. TORONTO FILM SCENE reviews 'Road North'.. What begins as a dubious film about a man trying to reconnect with his son becomes a beautiful family story that is unpredictable in the same way life is. Despite being a twist on the old “Prodigal Son” story, Road North falls into none of the usual “found parent/sibling/child” movies, instead preferring to focus its energy on storytelling and character building.. Read the whole article). VARIETY reviews 'Road North'. The views of the vast and beautiful Finnish countryside, the music choices and the casting of two of the country's most beloved performers all show Kaurismaki celebrating his patrimony even as he gently satirizes male relationships. The overall tone is sweeter than usual for the helmer/co- writer, without being overly sentimental. Central performances are broad but engaging. Sharp production package is appropriately colorful. Read the whole article). Road North won the Audience Choice Award at the First Saint- Petersburg Inernational Film Festival on September 3. Link. People’s Choice Award at SPIFF 2. THE YELLOW AFFAIR sells Mika Kaurismäki's films. The Finnish- Swedish company The Yellow Affair, represented by its managing director Miira Paasilinna, sells Mika Kaurismäki's latest films Road North and Brothers. It also represents Mikas's new project in development Kristina of Sweden and the. The King - Jari Litmanen produced by Mika Kaurismäki. The Yellow Affair. Cell(Swe): +4. 6 7. Cell (Fin): +3. 58 5. Paris based company Wide Management is the sales agent of Mika Kaurismäki's older titles including The House of Branching Love and Three Wise Men. Wide Management Entreprise Sarl. Tel. +3. 3 1 5. 39. Fax +3. 3 1 5. 39. Amsterdam based Fortissimo represents Mika Kaurismäki's Mama Africa, the acclaimed documentary about the South- African singer Miriam Makeba. Fortissimo. info@fortissimo. MAMA AFRICA travels again. Mika's documentary MAMA AFRICA world premiered at the Berlin Film Festival in February, where it was presented in the Panorama section. The film received an Audience Award (2nd place). After Berlin the film received several festival invitations and it was already shown at the Tribeca Film Festival in New York and and the Hot Docs in Toronto. Mama Africa's tour goes on, the next festivals are Seattle, Midnight Sun Film Festival, Edinburgh and Sheffield.."Mama Africa" is a documentary about the recently deceased South African icon Miriam Makeba, who traveled with her powerful music around the world to spread her political message against racism and poverty and for equality and peace. Mama Africa" is the homage to this extraordinary and impressive artist who incarnates the voice and the hope of Africa. Fortissimo Films handles the world sales of "Mama Africa". BROTHERS premiered. Mika Kaurismäki's new feature film "Brothers" had its Finnish premiere on the March 1. The film was made in the same actor- centered method as the THREE WISE MEN (2. Kari Heiskanen, Pertti Sveholm, Timo Torikka, Liisa Mustonen, Mari Perankoski, Vesa Vierikko and Esko Salminen."Brothers" is a satirical portrayal of a reunion of three brothers with their father. Ivar (5. 1, writer), Mitja (4. Torsti (5. 1, caretaker) are brothers, who have a mutual father, Paavo (7. They haven´t seen each other for a long time, but meet now at their father´s 7. They start sorting out their relationships revealing some painful memories of their past and unpleasant truths about their father, who they all blame for the failures in their lives."VESKU and SAMULI ride together. Two major Finnish stars Vesku alias Vesa- Matti Loiri and Samuli Edelmann (Mission: Impossible - Ghost Protocol) will lead in Mika's next Finnish feature road movie "Road to North". The father- son story will go in production in August this year. VESKU FROM FINLAND is a success. Mika Kaurismäki's documentary "Vesku from Finland" was released in Finland on the September 3rd, 2. Finnish documentary in the Box office charts. Meanwhile the film has been seen in cinemas already by close to 4. DVD has sold over 4. Vesku from Finland" is a film about Vesa- Matti Loiri alias Vesku, probably the most popular film and TV comedian in Finland. He has created a significant career also as a singer, performer, writer and as a sportsman. He has recorded several albums, from folk songs and couplets to tangos. Some of his recordings are based on the lyrics of Hermann Hesse or Eino Leino, the infamous Finnish poet. During his unique career he has played in more than 6. Development heaven. Mika Kaurismäki has currently several projects in development (selection): "Queen Kristina", an epic feature drama about the legendary Queen of Sweden.- Written by Michel Marc Bouchard, produced by Anna Stratton"Road to North", a father- son road movie, from Helsinki to Lapland.- Written by Sami Keski- Vähälä"Midsummer Moon", a family re- union drama comedy set in Pyhäjärvi, a remote little town in Finland.- Written by Richard Rayner"Malandro" set in Salvador da Bahia (Brazil), a classic "buddy" road movie and an action comedy, which licfollows the absurd adventures of the hapless Malandro and his unlikely accomplice Sven, a straight- laced Swedish poeman..- Written by Simon Brook, producer Lauranne Bourrachot/Chic Films"Patagonia Express" set in Patagonia, based on the short stories of Luis Sepulveda.- Producer: Luis Bellaba"Dada incarnate", an odyssey of the ex- rock idol Rat Oppenheimer. In 2. 00. 5 he got into serious trouble with the law while living in Los Angeles and spent four days evading capture while at the same time attempted to get his many personal problems resolved. In his own words Rat Oppenheimer recounts his story over those four days in dark, dramatic and even comedic detail.- Written by Paul Charles. MAMA AFRICA in post- production. Mika Kaurismäki's latest documentary "Mama Africa" is nearly completed."Mama Africa" is a documentary about the recently deceased South African icon Miriam Makeba, who traveled with her powerful music around the world to spread her political message against racism and poverty and for equality and peace. Mama Africa" is the homage to this extraordinary and impressive artist who incarnates the voice and the hope of Africa. Fortissimo Films handles the world sales of "Mama Africa". THE HOUSE OF BRANCHING LOVE is a success. The House of Branching Love" (Haarautuvan rakkauden talo, 2.
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